This post was first published in August 2018 and has been updated to include newer episodes of Good One. Maybe the Wayans should rewatch it every once in a while.Tig Notaro on Conan. Treading the thin line between love and mockery, Sucka knows that a movie satire needs a little bit of both. The only other time Wayans brothers spoofed a preposterous hero was A Low Down Dirty Shame (1994), though that action-comedy isn’t nearly as keen as Sucka is. But he’s awesome because, not in spite of, that. Yes, John Slade is shadowed by a swinging backup band (“It’s my theme music. Big, he replies, “I’m an ex-football player,” just like Brown was in real-life.īy the film’s logic, heroes are only as great as they are comfortably preposterous. Even Jim Brown gets taken down a peg: When Slammer asks Jack why he’s qualified to fight Mr. Might doesn’t make right either, like when tough-talking Hammer accidentally shoots himself - repeatedly. But he disappears soon after his white son excitedly reads a school paper on “capitalist swine” Abraham Lincoln. At first, Kalinga ( Tales From the Hood’s Clarence Williams III), a toothless Black Panther, looks like the most community-minded hero in the film. On the other hand, Sucka’s heroes aren’t unassailable either. He’s repeatedly tossed down the stairs because he doesn’t get why working for Mr. Leonard talks in the kind of sub-mongoloid jive that Keenen Ivory and co-writer Robert Townsend previously made fun of in Hollywood Shuffle (1987). Big’s white lackeys are also dismissed as impotent stooges - “How come their guns are bigger than ours?” “I dunno, it’s a phallic thing” - a black stooge like Leonard (Damon Wayans) is kicked around twice as hard. He deserves scorn because he’s completely lost touch with his roots (i.e. David Alan Grier’s effete newscaster is mocked because he grew up in a rich, white neighborhood. Even Kung Fu Joe’s female-voiced car alarm is more intimidating than him: After calmly warning Joe that “Your door is ajar,” the car shrieks, “I said close the door, shithead!”Įveryone gets knocked up a bit. In the past, he was crowned Pimp of the Year for reciting a poem called “Bitch Better Have My Money.” But in the film’s present, bystanders mock his yellow, zebra-striped sombrero and goldfish-filled platform shoes (“Say, brother, you been shopping at the Goodwill?”). Flyguy (Antonio “Huggy Bear” Fargas), a former crime-fighter, is the best example of this kind of instantly deflated machismo. And later, the sex/big-dick-hungry Cherry (Anna-Marie Johnson) turns out to be all fake, from her wig down to her fake leg. Ma talks back when Jack begs her to stop fighting his fights. Even well-meaning men like Jack don’t get to use women to make themselves feel better. This is especially true of Keenen Ivory’s female characters. Stereotypes are comforting because they can be mocked even as they’re used. Vernon’s fourth wall –breaking protest says a lot about Wayans’s attitude towards formulaic expectations. Big (John Vernon, Animal House’s Dean, Dirty Harry’s mayor) take over? And whatever happened to square-jawed heroes like John Slade ( Hitman star Bernie Casey), Hammer, and Slammer (Isaac Hayes, and Jim Brown)? (He died from wearing too many gold chains.) Jack is outraged: How have the native sons of “Any Ghetto U.S.A.” fallen so far from grace? How did crime boss Mr. Keenen Ivory plays Jack Spade, an Army vet who comes home after his brother Junebug “OG”s. So while I’m Gonna Git You Sucka eventually becomes the type of film it parodies, it’s also a superior satire. In his film, Keenen Ivory broke the genre down to a main theme: black protagonists’ recurring fears of emasculation. While both Scary Movies and both A Haunted House movies look down on the horror genre they send up, I’m Gonna Git You Sucka lovingly sends up tropes used in blaxploitation films like Shaft, Dolemite, and Super Fly. 1988’s I’m Gonna Git You Sucka, written, directed by, and starring Keenen Ivory, is everything their recent efforts are not. Still, at least one Wayans has produced a good movie. Between this movie, its predecessor, a pair of Scary Movies, White Chicks, Dance Flick, and Little Man, Marlon, Shawn, and Keenen Ivory have racked up an embarrassment of embarrassments. Amongst other things, this weekend’s release of A Haunted House 2 might make you wonder: Why are the Wayans brothers? That’s not an incomplete thought, but a reflection of the existential malaise the barely-were comedians now inspire.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |